Our Daily Bread Sliced Thin King Vidor’s 1934 admit Our Daily Bread is aptly named, for the film is of a prayer than an actual solution to the Great Depression. Like another(prenominal) Socio-political films of the era, it tries to claim a solution to the problems faced by so legion(predicate) Americans. However, Vidor’s message gets lost somewhere amid the poor production, the speculative acting, and the inconsistent ideology of the film. For those reasons what comes out at the end is an to the highest degree silly climax with little world that offers the resembling amount of protagonist that an escapist vehicle of the same period would offer.
Vidor’s romance first began with his 1928 classic film of a couple being subjugated by the salient city, The Crowd, which is the first part of a series of films Vidor indispensabilityed to do that depicted the lives of average American men and women (Vidor 221). The film follows the protagonist, John, as he slaves away in his office doing paperwork like so many other insignifican...If you want to get a replete essay, order it on our website:
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