Art Review

In El Greco s Penitent Magdalen the element that makes the oil on canvas conversion in nature is that of the aid to acme . El Greco s was contrary in his impression , which was a own(prenominal) p wile of his artistry and non defined by the baroque art design . His bodies in his paintings though in save or even in repose were depicted although with muscles fortify , the muscles seemed soft , as is the case in the above menti sensationd paintingThe endeavor of bloody shame Magdalen is Renaissance , and opposed to the churrigueresco period in its depiction beca function it is the opposite of what previous artistic movements has foc employ upon . at that purpose is the revelation of power in the gathering disciples and in the glossary palate being manipulated in the painting the subtle tones and the attention to c hiaroscuro is what gives the painting a very Renaissance feel (similar to Caravaggio . The author s attention again is draw towards the remains albeit muscular , it is not showing signs of soundbox fat , it is are perfected in its grief , and in the area of opposites , this is what El Greco wanted to acknowledge the perfect corpse juxtaposed with very human emotions the matinee flawlessness body paired with humanity as is expertly crafted in Penitent Magdalen . Juxtaposed with this piece is Titian s , Rape of Lucretia by Tarquin .represents the up move Renaissance in its fluid movement with the body s movements emphatic with the background Here , the bodies are not flabby in quality as in El Greco s lick , but very vibrant in their actions , and strong . The angles of the body localize the smasher s attention to the action piece of music the akimbo ordnance store of Lucretia allow the viewer to go from that crucial point on canvas to the faces of the both peo ple with one very feeling and the other hor! rified which is very antithetic from El Greco s slow Magdalen face . The comparison between these devil works of art resemble the expression of emotion which has not been done so bountifuly , nor so intently in these two fourth dimension periods of the Renaissance (including Mannerism ) and the high Renaissance (with TitianWith the Renaissance attention to body angles and emotion , the Baroque period offers a fight more attention to dummy and air as is seen with Caravaggio s chiaroscuro effect in Saint John the Baptist . The tension on this painting by Caravaggio is about the contrast of fainthearted and dark . The viewer is exposed to a very little John the Baptist who resembles the cherubs used in Renaissance art . The convention of the body is full of baby fat and the skin , while having the tonal qualities of Baroque pieces still harbors the darker contours of perhaps the future of the preadolescent man (John s decollate . The shapes used are reminiscent of t he Renaissance in the body s muscular tone , yet relaxed stature and the use of space of the classical Greek contrapposto , in the line curved from the lifted arm , the supporting arm , the...If you want to work a full essay, order it on our website: BestEssayCheap.com

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